Daniel Damler seeks the normative where it does not present itself as law, where it becomes spatial and visual. For his research projects, he looks beyond the executive and supervisory boardrooms to examine law in relation to architecture, and interprets the fictional world of Gotham City as a visual symbol of a state of emergency. His latest project focuses on Gonzalo Fernández de Oviedo (1478–1557), chronicler of the Conquista, courtier and notary, whom Alexander von Humboldt revered as the Pliny of the New World. Damler examines his life and work, in addition to his programmatic struggle for truth and reality. We asked him what determines whether an unconventional subject is suitable for legal history, and what does a research project gain by publishing its findings as a novel.
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